1
00:00:01,680 --> 00:00:02,680
[Andrew] This way, please.

2
00:00:02,760 --> 00:00:03,760
Thank you.

3
00:00:05,640 --> 00:00:06,720
Why are they shutting you down?

4
00:00:06,800 --> 00:00:09,720
Well, they're not, not
really, just this building.

5
00:00:09,800 --> 00:00:11,960
Everything's being moved to new premises.

6
00:00:12,040 --> 00:00:12,880
[Susan] You're still here.

7
00:00:12,960 --> 00:00:14,520
[Andrew] Oh, I'm nearly finished.

8
00:00:14,600 --> 00:00:16,680
Moving the people and the machines

9
00:00:16,760 --> 00:00:18,520
is the easy part, believe me.

10
00:00:18,600 --> 00:00:22,120
Moving the files and the records
is a whole different story.

11
00:00:22,200 --> 00:00:23,960
But I'm getting there.

12
00:00:24,040 --> 00:00:25,360
It's upstairs.

13
00:00:25,440 --> 00:00:28,520
{\an8}- [suspenseful music]
- [keys tapping]

14
00:01:03,640 --> 00:01:04,800
{\an8}[Susan] I'm looking for a
patient of Dr. Tremaine's

15
00:01:04,880 --> 00:01:05,640
from the war.

16
00:01:05,720 --> 00:01:06,600
[Andrew] Perhaps if you were to tell me

17
00:01:06,680 --> 00:01:07,880
what it's in connection with?

18
00:01:07,960 --> 00:01:09,000
[Susan] It's a bit complicated.

19
00:01:09,080 --> 00:01:11,920
[Andrew] Oh, everything in my
line of work is complicated.

20
00:01:12,000 --> 00:01:14,600
John used to say that to the trained mind,

21
00:01:14,680 --> 00:01:17,720
complexity is a delight, not a burden.

22
00:01:17,800 --> 00:01:18,760
[Susan] You knew him well?

23
00:01:18,840 --> 00:01:19,960
Oh, yes, we worked together

24
00:01:20,040 --> 00:01:22,680
for several years before he retired.

25
00:01:22,760 --> 00:01:23,760
He's retired?

26
00:01:24,760 --> 00:01:26,440
You don't happen to know
where he is, do you?

27
00:01:26,520 --> 00:01:30,200
I think, let me see, I know
he went on a tour of Europe.

28
00:01:30,280 --> 00:01:33,240
But then, I'm sorry, I'm just not sure.

29
00:01:33,320 --> 00:01:35,400
I haven't heard from him in quite a while.

30
00:01:36,280 --> 00:01:38,920
Ah, here we are, this is me.

31
00:01:40,000 --> 00:01:42,120
So, who was it you were looking for again?

32
00:01:42,200 --> 00:01:43,680
A Malcolm Crowley.

33
00:01:43,760 --> 00:01:45,400
Malcolm Crowley?

34
00:01:46,720 --> 00:01:48,120
Yes.

35
00:01:48,200 --> 00:01:50,040
Yes, of course.

36
00:01:50,120 --> 00:01:52,200
He was an interesting case.

37
00:01:52,280 --> 00:01:55,080
Quite a delight of complexity, believe me.

38
00:01:55,160 --> 00:01:56,160
You saw him?

39
00:01:56,240 --> 00:01:59,000
I mean, professionally?

40
00:01:59,080 --> 00:02:02,120
I helped to assess him
when he was referred to us,

41
00:02:02,200 --> 00:02:05,360
but if I remember
rightly, wasn't he killed?

42
00:02:06,640 --> 00:02:07,520
Mr. Croft, if you assessed him,

43
00:02:07,600 --> 00:02:09,920
then you must know there was
something wrong with him.

44
00:02:10,000 --> 00:02:10,760
Is this something to do

45
00:02:10,840 --> 00:02:12,560
with what happened to him in the war?

46
00:02:15,720 --> 00:02:17,080
I can't go into details.

47
00:02:17,960 --> 00:02:18,960
Ah.

48
00:02:20,280 --> 00:02:24,240
You do realize that, since
I treated Mr. Crowley,

49
00:02:24,320 --> 00:02:26,600
I had to sign the Official Secrets Act.

50
00:02:28,200 --> 00:02:33,240
In fact, I was in the position
of treating a good number

51
00:02:33,320 --> 00:02:37,960
of people serving in delicate
positions during the war.

52
00:02:40,400 --> 00:02:43,280
So whatever is on your
mind, you can tell me.

53
00:02:48,920 --> 00:02:50,680
I think that he's very dangerous.

54
00:02:52,200 --> 00:02:54,200
Sorry, I mean, I think he's still alive.

55
00:02:56,440 --> 00:02:57,480
You're SOE, then?

56
00:03:01,280 --> 00:03:02,440
Bletchley Park.

57
00:03:04,840 --> 00:03:05,840
Bletchley?

58
00:03:07,360 --> 00:03:09,080
- That was very hush-hush.
- Yes.

59
00:03:10,280 --> 00:03:12,120
Wasn't it all statistics and numbers?

60
00:03:12,200 --> 00:03:13,560
Yeah, something like that.

61
00:03:15,400 --> 00:03:17,320
And how did statistics and numbers

62
00:03:17,400 --> 00:03:18,680
- lead you here, Mrs. Gray?
- Oh, I,

63
00:03:18,760 --> 00:03:22,040
I just saw a pattern and I followed it.

64
00:03:25,240 --> 00:03:27,320
You're not working for anyone, are you?

65
00:03:28,440 --> 00:03:29,200
Mm.

66
00:03:29,280 --> 00:03:31,000
You did this all on your own.

67
00:03:33,560 --> 00:03:34,920
Astonishing.

68
00:03:35,000 --> 00:03:37,680
[somber music]

69
00:03:39,000 --> 00:03:43,560
[Andrew speaking in foreign language]

70
00:03:50,280 --> 00:03:51,280
I'm sorry?

71
00:03:51,360 --> 00:03:54,360
From among the shades of
the recent dead she came.

72
00:03:58,000 --> 00:03:59,240
Is something wrong?

73
00:04:02,720 --> 00:04:03,720
No.

74
00:04:06,560 --> 00:04:08,960
I really must be going.

75
00:04:09,040 --> 00:04:10,560
My husband's outside in the car.

76
00:04:10,640 --> 00:04:12,200
I said I'd only be 10 minutes.

77
00:04:12,280 --> 00:04:14,920
Of course, I'll see what
I can find in the files.

78
00:04:16,200 --> 00:04:19,040
And don't worry, I'll be in touch.

79
00:04:19,120 --> 00:04:22,200
[suspenseful music]

80
00:04:30,080 --> 00:04:32,720
[Susan panting]

81
00:04:40,160 --> 00:04:42,920
[Susan exclaims]

82
00:04:48,320 --> 00:04:50,920
[Susan grunts]

83
00:04:55,520 --> 00:04:58,000
[eerie music]

84
00:05:05,080 --> 00:05:08,000
[knocking at door]

85
00:05:10,400 --> 00:05:13,680
- Susan, what is it?
- I think it was him.

86
00:05:13,760 --> 00:05:14,480
What?

87
00:05:14,560 --> 00:05:15,840
[Susan] Crowley's at the hospital.

88
00:05:17,120 --> 00:05:18,440
- Anything?
- Nothing.

89
00:05:19,960 --> 00:05:21,240
There's no one here, miss.

90
00:05:21,320 --> 00:05:23,720
Oh, what about upstairs?

91
00:05:23,800 --> 00:05:25,480
[Guard] All right.

92
00:05:38,000 --> 00:05:39,280
[Susan] It's all gone.

93
00:05:39,360 --> 00:05:40,120
We've been through the whole building.

94
00:05:40,200 --> 00:05:43,160
Now, the man you said stole your bag,

95
00:05:43,240 --> 00:05:44,240
you certain he came on in here?

96
00:05:44,320 --> 00:05:45,880
Yes.

97
00:05:45,960 --> 00:05:47,800
In the front door, out
the back, most like.

98
00:05:47,880 --> 00:05:49,240
Sorry, miss, he's long gone.

99
00:05:57,080 --> 00:05:59,080
Where on earth have you been?

100
00:06:02,360 --> 00:06:06,120
The one night a year I
absolutely need to rely on you.

101
00:06:06,200 --> 00:06:08,440
William Smith gave his
life for me and my men.

102
00:06:08,520 --> 00:06:09,520
I know.

103
00:06:11,480 --> 00:06:12,960
If he hadn't thrown
himself on that grenade,

104
00:06:13,040 --> 00:06:13,800
I wouldn't be here.

105
00:06:13,880 --> 00:06:15,720
There'd be no Claire, no Sam.

106
00:06:15,800 --> 00:06:18,960
The least we can do is honor
the man's memory once a year.

107
00:06:23,960 --> 00:06:24,920
What's happened?

108
00:06:25,000 --> 00:06:28,120
I, it's fine, I was um.

109
00:06:30,880 --> 00:06:34,120
Gosh, it was the silliest thing.

110
00:06:34,200 --> 00:06:38,040
I was coming out from visiting Lucy

111
00:06:38,120 --> 00:06:42,480
and I slipped on the steps and
I just tripped. [chuckling]

112
00:06:53,400 --> 00:06:56,480
I really am so sorry about
missing the memorial dinner.

113
00:06:57,400 --> 00:06:58,880
So am I.

114
00:06:58,960 --> 00:07:01,880
[thoughtful music]

115
00:07:03,000 --> 00:07:04,360
This has to stop, you know.

116
00:07:05,960 --> 00:07:06,960
Whatever this is.

117
00:07:09,000 --> 00:07:10,080
You're my wife.

118
00:07:13,320 --> 00:07:16,000
But above that, you're a mother.

119
00:07:17,520 --> 00:07:19,440
That has to come first.

120
00:07:23,400 --> 00:07:26,480
[somber piano music]

121
00:07:35,040 --> 00:07:36,480
I'm sorry.

122
00:07:36,560 --> 00:07:37,560
I'm sorry.

123
00:07:38,800 --> 00:07:40,800
Well, you're a state.

124
00:07:42,760 --> 00:07:43,760
Come on.

125
00:07:45,200 --> 00:07:48,000
Let's get a wet flannel on that ankle.

126
00:07:48,080 --> 00:07:50,840
[Susan chuckles]

127
00:07:55,040 --> 00:07:57,960
[traffic whirring]

128
00:08:04,000 --> 00:08:05,280
Harry?

129
00:08:05,360 --> 00:08:07,880
[tense music]

130
00:08:47,280 --> 00:08:48,640
Hurry up, will you?

131
00:08:48,720 --> 00:08:49,720
Come on.

132
00:08:58,320 --> 00:09:01,720
[thoughtful piano music]

133
00:09:03,720 --> 00:09:04,720
Open your eyes.

134
00:09:05,760 --> 00:09:08,280
[Lucy] [laughing] Is this for me?

135
00:09:08,360 --> 00:09:09,520
Housewarming present.

136
00:09:11,520 --> 00:09:12,600
This is your home now.

137
00:09:14,000 --> 00:09:15,280
Thank you.

138
00:09:15,360 --> 00:09:16,600
[cork thunks]

139
00:09:16,680 --> 00:09:18,560
Jean, you terror.

140
00:09:19,720 --> 00:09:21,720
It's damson gin.

141
00:09:21,800 --> 00:09:22,800
I make it myself.

142
00:09:23,560 --> 00:09:25,040
Just a wee tot, it's strong.

143
00:09:27,040 --> 00:09:27,800
Cheers.

144
00:09:27,880 --> 00:09:28,880
Cheers.

145
00:09:29,920 --> 00:09:34,840
- Mmm!
- [Lucy coughs]

146
00:09:36,120 --> 00:09:37,120
[Lucy] How are you feeling?

147
00:09:37,200 --> 00:09:38,200
Fine.

148
00:09:41,360 --> 00:09:42,480
Steady your nerves.

149
00:09:42,560 --> 00:09:43,560
Thank you, Jean.

150
00:09:44,520 --> 00:09:45,520
Cheers.

151
00:09:46,200 --> 00:09:47,200
[Jean] Cheers.

152
00:09:51,080 --> 00:09:52,280
Why was he even there?

153
00:09:53,560 --> 00:09:54,800
Why hide out in the hospital

154
00:09:54,880 --> 00:09:56,480
that treated you during the war?

155
00:09:57,800 --> 00:09:59,760
Well, we know the Meredith

156
00:09:59,840 --> 00:10:01,960
specialized in psychiatric disorders.

157
00:10:02,040 --> 00:10:04,240
So he's interested in
psychiatric patients?

158
00:10:04,320 --> 00:10:06,360
Same as all the men he set up.

159
00:10:06,440 --> 00:10:10,880
Like Gerald Wiggins, Marco
Giacommi, Terry Hudson.

160
00:10:10,960 --> 00:10:12,680
They all had mental disorders.

161
00:10:12,760 --> 00:10:14,280
Oh, my God, she's right.

162
00:10:14,360 --> 00:10:16,840
Wiggins had shrapnel
in his head, didn't he?

163
00:10:16,920 --> 00:10:19,800
He has to find the right
candidate to pin the crime on.

164
00:10:19,880 --> 00:10:21,760
Not intelligent, articulate people

165
00:10:21,840 --> 00:10:23,880
who can mount a proper defense, but

166
00:10:23,960 --> 00:10:25,200
people with mental problems.

167
00:10:25,280 --> 00:10:27,320
And where does he find people like that?

168
00:10:27,400 --> 00:10:29,800
In the medical records of
a mental health hospital.

169
00:10:29,880 --> 00:10:30,640
He didn't even have to
go looking for them,

170
00:10:30,720 --> 00:10:32,600
he just had to leaf through the files.

171
00:10:32,680 --> 00:10:34,320
They were all over the country, though.

172
00:10:34,400 --> 00:10:35,240
But those cases would have been

173
00:10:35,320 --> 00:10:37,400
too specialized for a local GP to handle.

174
00:10:37,480 --> 00:10:40,600
They would've been referred to
somewhere like the Meredith.

175
00:10:40,680 --> 00:10:42,280
[Millie] So it was Crowley.

176
00:10:44,800 --> 00:10:46,160
You're lucky to be alive.

177
00:10:50,960 --> 00:10:51,960
[Cavendish] Mrs. Gray.

178
00:10:52,040 --> 00:10:53,760
I met your dead friend yesterday.

179
00:10:59,720 --> 00:11:02,520
Quite a lot shorter than you,
fair hair, ring any bells?

180
00:11:05,120 --> 00:11:06,120
Yes, that's him.

181
00:11:08,720 --> 00:11:09,800
I was sat opposite him.

182
00:11:09,880 --> 00:11:11,480
He was this close to me.

183
00:11:11,560 --> 00:11:12,600
The police won't listen.

184
00:11:12,680 --> 00:11:14,760
I need you to help me find him again.

185
00:11:14,840 --> 00:11:15,640
I want his personnel file,

186
00:11:15,720 --> 00:11:17,680
not just the bits you're
happy to show me, everything.

187
00:11:17,760 --> 00:11:19,400
I haven't got it.

188
00:11:19,480 --> 00:11:20,920
[Susan] But you can get it?

189
00:11:22,720 --> 00:11:24,640
How would it ever help?

190
00:11:25,720 --> 00:11:27,720
At Bletchley, when we came
across corrupted data,

191
00:11:27,800 --> 00:11:30,120
we had to backtrack
until we hit clean code.

192
00:11:31,240 --> 00:11:33,440
That's how you find an
error in the pattern.

193
00:11:34,600 --> 00:11:36,800
All Crowley's giving us is corrupted data.

194
00:11:38,320 --> 00:11:41,520
We need to backtrack to
before he was killing.

195
00:11:41,600 --> 00:11:43,000
We need to start from there.

196
00:11:43,080 --> 00:11:44,360
That's how we'll find him.

197
00:11:46,240 --> 00:11:47,040
I want the file.

198
00:11:47,120 --> 00:11:48,120
Can you get it?

199
00:11:49,320 --> 00:11:50,760
Perhaps.

200
00:11:50,840 --> 00:11:51,560
There's more.

201
00:11:51,640 --> 00:11:53,920
I need to know what's not in the file.

202
00:11:55,400 --> 00:11:56,280
What do you mean?

203
00:11:56,360 --> 00:11:59,720
Well, what it is that you're
so reluctant to tell me.

204
00:11:59,800 --> 00:12:02,520
What did you do, you and
Crowley, at Electra House?

205
00:12:05,680 --> 00:12:09,160
Susan, do you know what
psychological warfare means?

206
00:12:09,240 --> 00:12:10,240
No.

207
00:12:10,960 --> 00:12:14,000
It means sapping the enemy's morale,

208
00:12:14,080 --> 00:12:17,120
working on his weaknesses, his conscience,

209
00:12:18,000 --> 00:12:19,240
his base fears,

210
00:12:22,120 --> 00:12:23,120
and drives.

211
00:12:29,480 --> 00:12:34,440
These images were designed to
be provocative, titillating.

212
00:12:40,320 --> 00:12:42,840
But the messages that went with the images

213
00:12:42,920 --> 00:12:45,480
were intended to demoralize.

214
00:12:45,560 --> 00:12:47,160
Like these, they were crude suggestions

215
00:12:47,240 --> 00:12:48,640
that what you saw on the postcard might be

216
00:12:48,720 --> 00:12:52,280
what was happening to your
wife or daughter back home

217
00:12:52,360 --> 00:12:53,840
while you were away fighting.

218
00:12:55,600 --> 00:12:57,320
That was the principle, anyway.

219
00:12:57,400 --> 00:12:58,520
And Crowley worked on these?

220
00:12:58,600 --> 00:13:01,000
Oh, yes, he had a talent for it.

221
00:13:01,080 --> 00:13:03,200
Some of the men were too embarrassed

222
00:13:03,280 --> 00:13:05,640
to throw themselves into
the work, but not him.

223
00:13:07,880 --> 00:13:12,880
After the bombing incident,
his pictures changed.

224
00:13:14,760 --> 00:13:17,320
We couldn't use them,
they were too extreme.

225
00:13:19,760 --> 00:13:22,440
It wasn't our finest hour.

226
00:13:23,320 --> 00:13:26,320
[suspenseful music]

227
00:13:45,760 --> 00:13:48,200
They've muddled up our
paper, this is the Telegraph.

228
00:13:48,280 --> 00:13:50,080
Lunch is ready, can you carve?

229
00:13:50,160 --> 00:13:51,720
Yeah, of course.

230
00:13:51,800 --> 00:13:53,680
I'm thinking of taking the children

231
00:13:53,760 --> 00:13:56,760
to the lido this afternoon,
give you some time to yourself.

232
00:13:56,840 --> 00:13:59,800
You can try your hand at the
Telegraph crossword for once.

233
00:13:59,880 --> 00:14:01,240
It's a lovely idea.

234
00:14:02,480 --> 00:14:03,480
Did you do this?

235
00:14:03,560 --> 00:14:05,040
[Timothy] What?

236
00:14:05,120 --> 00:14:08,360
The crossword, someone's filled it in.

237
00:14:08,440 --> 00:14:09,160
Hm.

238
00:14:09,240 --> 00:14:11,000
You've still got two, three and six down.

239
00:14:11,080 --> 00:14:13,080
Perhaps that paperboy is playing a joke.

240
00:14:14,520 --> 00:14:17,520
[suspenseful music]

241
00:14:32,400 --> 00:14:34,760
Daddy's taking us swimming.

242
00:14:34,840 --> 00:14:36,080
I know.

243
00:14:36,160 --> 00:14:37,800
I'm gonna dive off the board.

244
00:14:42,520 --> 00:14:43,520
Mummy?

245
00:14:45,400 --> 00:14:46,400
Is something wrong?

246
00:14:48,960 --> 00:14:50,200
No.

247
00:14:50,280 --> 00:14:52,320
No, of course not.

248
00:14:52,400 --> 00:14:54,240
I just feel a little bit funny today.

249
00:15:11,440 --> 00:15:13,640
[children laughing]

250
00:15:13,720 --> 00:15:16,200
[tense music]

251
00:15:55,000 --> 00:15:56,000
Hello?

252
00:15:59,600 --> 00:16:00,760
Mr. Cavendish?

253
00:16:02,000 --> 00:16:07,000
- [tense music]
- [knocking on door]

254
00:16:52,400 --> 00:16:55,080
[dial whirring]

255
00:16:58,400 --> 00:17:01,400
[telephone ringing]

256
00:17:05,160 --> 00:17:06,400
Hello?

257
00:17:06,480 --> 00:17:08,120
[Susan] Millie, it's Cavendish.

258
00:17:09,440 --> 00:17:12,280
[belling ringing]

259
00:17:15,640 --> 00:17:17,520
Quickly, we haven't long
before the police arrive.

260
00:17:17,600 --> 00:17:18,840
[Millie] What happened?

261
00:17:18,920 --> 00:17:20,040
[Susan] He's dead.

262
00:17:20,120 --> 00:17:21,360
How?

263
00:17:21,440 --> 00:17:23,160
It looks like suicide.

264
00:17:23,240 --> 00:17:24,440
You think Crowley did it?

265
00:17:24,520 --> 00:17:27,160
I just don't think he's the
kind of man to kill himself.

266
00:17:27,240 --> 00:17:28,040
Why now?

267
00:17:28,120 --> 00:17:28,880
That's obvious, isn't it?

268
00:17:28,960 --> 00:17:30,400
Cavendish was trying to find Crowley.

269
00:17:30,480 --> 00:17:32,640
Well maybe he did find him somehow.

270
00:17:32,720 --> 00:17:33,720
Personnel file?

271
00:17:35,080 --> 00:17:36,000
We need to go and look.

272
00:17:36,080 --> 00:17:36,880
[Millie] Right.

273
00:17:36,960 --> 00:17:37,960
I can't.

274
00:17:38,720 --> 00:17:40,280
I'm sorry, I can't do that again.

275
00:17:40,360 --> 00:17:41,120
Lucy, we need you--

276
00:17:41,200 --> 00:17:42,280
No, when we went into that cellar

277
00:17:42,360 --> 00:17:43,240
and we saw Mary Lawrence--

278
00:17:43,320 --> 00:17:44,120
I know it was awful, Lucy--

279
00:17:44,200 --> 00:17:45,440
No, you don't know.

280
00:17:45,520 --> 00:17:46,840
Because I still see it.

281
00:17:46,920 --> 00:17:48,560
I see it every night when I close my eyes,

282
00:17:48,640 --> 00:17:51,480
I see every part of it,
every detail, I see her--

283
00:17:51,560 --> 00:17:52,560
All right.

284
00:17:53,320 --> 00:17:54,320
You don't have to.

285
00:18:05,960 --> 00:18:07,040
Oh, crikey!

286
00:18:14,520 --> 00:18:16,600
[Susan] Look over here.

287
00:18:16,680 --> 00:18:18,760
The files from Electra House.

288
00:18:18,840 --> 00:18:19,600
Where's Crowley's?

289
00:18:19,680 --> 00:18:21,640
[Susan] It's not here, it's gone.

290
00:18:21,720 --> 00:18:22,840
He must have taken it.

291
00:18:24,000 --> 00:18:25,160
What's this?

292
00:18:29,120 --> 00:18:29,880
These are a bit racier

293
00:18:29,960 --> 00:18:31,120
than the end of the pier, aren't they?

294
00:18:31,200 --> 00:18:33,400
No, it's not what you think.

295
00:18:33,480 --> 00:18:35,920
They're part of what he
was doing during the war.

296
00:18:36,000 --> 00:18:37,640
He was ashamed of them, actually.

297
00:18:39,800 --> 00:18:42,240
In fact, he wouldn't have
had them out unless--

298
00:18:42,320 --> 00:18:43,480
Unless what?

299
00:18:43,560 --> 00:18:46,160
Unless he realized they were important.

300
00:18:46,240 --> 00:18:49,000
[dramatic music]

301
00:18:57,720 --> 00:18:58,480
How are you feeling?

302
00:18:58,560 --> 00:18:59,560
I'm fine.

303
00:18:59,640 --> 00:19:00,560
So he found something,

304
00:19:00,640 --> 00:19:02,520
something in Crowley's personnel file.

305
00:19:02,600 --> 00:19:03,520
Like what?

306
00:19:03,600 --> 00:19:05,080
We won't know, Crowley's taken it.

307
00:19:05,160 --> 00:19:07,040
Important enough to kill for.

308
00:19:07,120 --> 00:19:09,040
Jean, do they ever keep
duplicates of these files?

309
00:19:09,120 --> 00:19:10,040
No.

310
00:19:10,120 --> 00:19:11,200
Classified.

311
00:19:11,280 --> 00:19:12,080
Master copy only.

312
00:19:12,160 --> 00:19:13,400
If it's gone, it's gone.

313
00:19:15,560 --> 00:19:16,840
Maybe it's for the best.

314
00:19:18,120 --> 00:19:18,880
What?

315
00:19:18,960 --> 00:19:21,400
Susan, Mr. Cavendish is dead.

316
00:19:21,480 --> 00:19:22,920
And if what you're saying is true,

317
00:19:23,000 --> 00:19:25,600
Crowley killed him because
he was getting too close.

318
00:19:26,520 --> 00:19:29,480
When we first started, it was
strangers in the newspapers.

319
00:19:30,640 --> 00:19:33,120
But every step we get closer to Crowley,

320
00:19:33,200 --> 00:19:35,200
he gets closer to us.

321
00:19:35,280 --> 00:19:37,280
He knows where you live, for God's sake.

322
00:19:38,120 --> 00:19:40,480
Mr. Cavendish was an officer in the war.

323
00:19:42,480 --> 00:19:43,480
You're just a girl.

324
00:19:47,000 --> 00:19:48,000
Millie?

325
00:19:51,560 --> 00:19:52,560
She's right.

326
00:19:53,680 --> 00:19:55,600
What about your children?

327
00:20:00,680 --> 00:20:01,680
Fine.

328
00:20:02,800 --> 00:20:04,520
So what do we do now?

329
00:20:04,600 --> 00:20:07,320
Take it to Deputy Commissioner Wainwright.

330
00:20:08,200 --> 00:20:09,320
And hope he listens.

331
00:20:10,960 --> 00:20:12,160
Please can we go now?

332
00:20:21,560 --> 00:20:23,840
You met a man who you
believe is the real killer?

333
00:20:23,920 --> 00:20:25,160
[Susan] Malcolm Crowley, yes.

334
00:20:25,240 --> 00:20:27,960
And that's the man you
believe killed Mr. Cavendish?

335
00:20:28,040 --> 00:20:29,040
Oh, yes.

336
00:20:30,080 --> 00:20:32,480
But you have no proof of either accusation

337
00:20:32,560 --> 00:20:35,480
and you have no idea where
this Malcolm Crowley is?

338
00:20:39,360 --> 00:20:41,320
Mrs. Gray, I don't think
you realize what I'm seeing

339
00:20:41,400 --> 00:20:42,680
from my side of the desk.

340
00:20:45,600 --> 00:20:47,120
I'm sorry?

341
00:20:47,200 --> 00:20:50,120
We have a man in custody thanks to you.

342
00:20:51,160 --> 00:20:53,640
And all the evidence in
the world to convict him.

343
00:20:53,720 --> 00:20:55,840
The killings have stopped.

344
00:20:55,920 --> 00:20:57,560
But you're still running around,

345
00:20:57,640 --> 00:20:59,720
talking about a phantom
that no one has seen,

346
00:20:59,800 --> 00:21:02,120
- I have.
- And stirring up the past.

347
00:21:02,200 --> 00:21:05,520
And now a man has taken
his own life as a result.

348
00:21:07,200 --> 00:21:09,720
No, Mr. Cavendish was murdered.

349
00:21:09,800 --> 00:21:11,680
You have no proof of that.

350
00:21:13,800 --> 00:21:18,320
All you have is conjecture,
imagination, theories.

351
00:21:18,400 --> 00:21:21,120
Theories that are disrupting
proper police work.

352
00:21:21,200 --> 00:21:25,000
Now, we're grateful to
you for your help but,

353
00:21:25,080 --> 00:21:27,480
this case is solved.

354
00:21:27,560 --> 00:21:28,560
It's over.

355
00:21:32,600 --> 00:21:34,880
I have a responsibility here, Mrs. Gray,

356
00:21:35,920 --> 00:21:37,680
not only to bringing
the right man to justice

357
00:21:37,760 --> 00:21:40,760
but also to you and to Timothy as well.

358
00:21:42,840 --> 00:21:45,840
I'm quite certain he has no
idea what you've been doing,

359
00:21:45,920 --> 00:21:48,080
any more than he knows
what you did in the war.

360
00:21:48,160 --> 00:21:53,160
But if you're intent on
pursuing this, this mistake,

361
00:21:55,400 --> 00:21:57,920
then I'm afraid there will
have to be consequences.

362
00:21:59,760 --> 00:22:00,760
Do you understand?

363
00:22:01,920 --> 00:22:04,400
[tense music]

364
00:22:05,720 --> 00:22:06,720
Goodbye, Mrs. Gray.

365
00:22:16,720 --> 00:22:18,600
Give my regards to Timothy.

366
00:22:18,680 --> 00:22:21,280
[keys tapping]

367
00:22:34,200 --> 00:22:35,680
Can't you sleep?

368
00:22:43,480 --> 00:22:46,000
[tense music]

369
00:22:47,200 --> 00:22:50,040
[water trickling]

370
00:23:02,760 --> 00:23:05,760
[suspenseful music]

371
00:23:39,240 --> 00:23:41,320
He's convinced Cavendish killed himself.

372
00:23:42,920 --> 00:23:45,880
He told me to stop or he'd
tell Timothy everything.

373
00:23:45,960 --> 00:23:47,640
What happens if we do stop?

374
00:23:47,720 --> 00:23:49,320
All that's necessary for evil to triumph

375
00:23:49,400 --> 00:23:50,960
is for good men to do nothing.

376
00:23:52,880 --> 00:23:53,880
Or good women.

377
00:23:55,160 --> 00:23:56,720
All right.

378
00:23:56,800 --> 00:23:58,160
Where do we start?

379
00:23:58,240 --> 00:23:59,240
With these.

380
00:24:00,120 --> 00:24:02,440
I'm sure Cavendish had
these out for a reason.

381
00:24:03,320 --> 00:24:05,160
They were supposed to be provocative.

382
00:24:06,600 --> 00:24:08,200
What are the messages?

383
00:24:08,280 --> 00:24:10,520
German soldiers, while
you're fighting and dying,

384
00:24:10,600 --> 00:24:12,880
who do you think is
screwing your girlfriends?

385
00:24:14,400 --> 00:24:15,160
These are different.

386
00:24:15,240 --> 00:24:16,720
This is what you need to see.

387
00:24:20,240 --> 00:24:23,160
No one in their right mind
is gonna find these erotic.

388
00:24:23,240 --> 00:24:25,000
[Susan] Cavendish said
that after the bomb,

389
00:24:25,080 --> 00:24:26,960
what Crowley produced changed.

390
00:24:27,040 --> 00:24:27,920
[Millie] These are Crowley's?

391
00:24:28,000 --> 00:24:29,000
[Susan] Oh, yes.

392
00:24:32,680 --> 00:24:34,080
They're the same girl.

393
00:24:34,160 --> 00:24:35,440
[Susan] Exactly.

394
00:24:35,520 --> 00:24:37,280
If he drew these after the bomb,

395
00:24:38,440 --> 00:24:40,920
after he was trapped in the rubble,

396
00:24:41,000 --> 00:24:42,000
buried alive,

397
00:24:43,800 --> 00:24:46,360
then this has to be the girl
who was down there with him.

398
00:24:48,200 --> 00:24:52,160
What if he became, I don't
know, obsessed, fixated?

399
00:24:53,160 --> 00:24:56,280
She was the first dead girl,
underground in the dark.

400
00:24:56,360 --> 00:24:57,200
This has to lead to Crowley.

401
00:24:57,280 --> 00:24:58,840
We need to know who she was.

402
00:24:58,920 --> 00:25:01,360
The source of his obsession
could lead us to him.

403
00:25:03,880 --> 00:25:04,880
I'm sorry.

404
00:25:05,760 --> 00:25:07,240
I really am.

405
00:25:07,320 --> 00:25:10,600
Mr. Cavendish was a kind person.

406
00:25:11,880 --> 00:25:13,320
And a brave man.

407
00:25:13,400 --> 00:25:15,200
You can help us find who did this.

408
00:25:17,240 --> 00:25:18,120
How?

409
00:25:18,200 --> 00:25:19,840
There was a girl.

410
00:25:19,920 --> 00:25:20,920
She was killed

411
00:25:21,880 --> 00:25:24,640
when the SOE Records
Office was bombed in 1944.

412
00:25:24,720 --> 00:25:26,480
We think if we knew more about her--

413
00:25:26,560 --> 00:25:28,680
I'd already left the department by then.

414
00:25:29,520 --> 00:25:30,360
I imagine those files

415
00:25:30,440 --> 00:25:32,600
would have been put
back into deep storage.

416
00:25:33,800 --> 00:25:37,760
But if she was an SOE
employee when she was killed,

417
00:25:38,840 --> 00:25:43,400
then perhaps they were put
with the department roster.

418
00:25:45,720 --> 00:25:46,720
Come with me.

419
00:25:48,400 --> 00:25:50,360
What year was it, '44?

420
00:25:50,440 --> 00:25:51,560
We've got more than the year.

421
00:25:51,640 --> 00:25:53,120
Lucy, in Crowley's records,

422
00:25:53,200 --> 00:25:55,200
what date did it say they
get him out of the rubble?

423
00:25:55,280 --> 00:25:57,360
21st of May, 1944.

424
00:25:57,440 --> 00:25:58,440
Right.

425
00:26:04,680 --> 00:26:06,200
The whole building came down.

426
00:26:06,280 --> 00:26:07,400
A lot of people died.

427
00:26:10,240 --> 00:26:12,280
Wait, we need to check their faces.

428
00:26:28,680 --> 00:26:29,680
Wait.

429
00:26:31,640 --> 00:26:32,640
There she is.

430
00:26:37,280 --> 00:26:38,360
Julie Oakwood.

431
00:26:43,960 --> 00:26:44,960
Thank you.

432
00:26:51,480 --> 00:26:52,880
Angela's given us everything on Julie,

433
00:26:52,960 --> 00:26:56,040
employment summary, lots
of dates and transfers.

434
00:26:56,120 --> 00:26:58,920
She moved around a lot, there's
a ton of bumph in there.

435
00:27:07,720 --> 00:27:09,720
See enclosed Addendum A.

436
00:27:09,800 --> 00:27:11,040
Oh, it's here.

437
00:27:12,320 --> 00:27:13,320
This is interesting.

438
00:27:14,280 --> 00:27:16,920
She made a formal complaint
to her supervisor at SOE.

439
00:27:18,640 --> 00:27:21,800
Malcolm Crowley had been
following her, bothering her.

440
00:27:21,880 --> 00:27:22,880
When's it dated?

441
00:27:24,560 --> 00:27:25,720
Three months before she died.

442
00:27:25,800 --> 00:27:26,560
So they weren't just

443
00:27:26,640 --> 00:27:27,720
random strangers caught in a bomb blast.

444
00:27:27,800 --> 00:27:29,400
He already knew her.

445
00:27:29,480 --> 00:27:30,680
He already wanted her.

446
00:27:31,640 --> 00:27:33,560
So this is where the pattern begins.

447
00:27:33,640 --> 00:27:34,400
Yes.

448
00:27:34,480 --> 00:27:36,240
I said to Mr. Cavendish we
need to get back to clean code

449
00:27:36,320 --> 00:27:38,040
to before Crowley was poisoning the data

450
00:27:38,120 --> 00:27:39,880
and he must have found it.

451
00:27:39,960 --> 00:27:43,080
He got back to Julie Oakwood
which led him to Crowley.

452
00:27:43,160 --> 00:27:44,480
And Crowley killed him for it.

453
00:27:44,560 --> 00:27:46,440
There must've been something
in the personnel file.

454
00:27:46,520 --> 00:27:47,720
Well that file's gone.

455
00:27:49,280 --> 00:27:50,880
Then we'll have to find another way.

456
00:27:55,520 --> 00:27:58,000
[dog barking]

457
00:28:02,560 --> 00:28:05,240
[clock ticking]

458
00:28:06,440 --> 00:28:10,200
[thrilling orchestral music]

459
00:29:56,720 --> 00:29:58,040
[Child] Mummy?

460
00:30:00,840 --> 00:30:02,440
What is it, what's the matter?

461
00:30:02,520 --> 00:30:03,920
I can't sleep.

462
00:30:04,000 --> 00:30:05,560
Go back to bed.

463
00:30:05,640 --> 00:30:08,040
The bogeyman's watching me.

464
00:30:09,200 --> 00:30:10,680
There's no one watching you.

465
00:30:12,120 --> 00:30:14,040
He's outside in the dark.

466
00:30:14,120 --> 00:30:15,720
There's no one watching you, silly billy.

467
00:30:15,800 --> 00:30:17,080
Come on, I'll tuck you in.

468
00:30:19,080 --> 00:30:24,080
- [tense music]
- [dog barking]

469
00:30:28,960 --> 00:30:32,280
[background chattering]

470
00:30:34,560 --> 00:30:36,920
It says here her mother died in '33.

471
00:30:37,000 --> 00:30:38,200
[Millie] What about her father?

472
00:30:38,280 --> 00:30:39,840
[Jean] No record of him here.

473
00:30:41,000 --> 00:30:43,000
Oh, Susan that took us
ages to put together!

474
00:30:43,080 --> 00:30:44,560
Calm down, this is important.

475
00:30:44,640 --> 00:30:47,640
Now, when Crowley killed
the girls, he was clever.

476
00:30:47,720 --> 00:30:49,360
He made a pattern that always
pointed to someone else

477
00:30:49,440 --> 00:30:50,840
but he carried on all over the country

478
00:30:50,920 --> 00:30:53,120
and, I think, made another pattern.

479
00:30:53,200 --> 00:30:55,800
A large spiral like a Nautilus shell.

480
00:30:56,920 --> 00:30:59,000
So, we start here in Hereford.

481
00:30:59,080 --> 00:30:59,840
He didn't stay there,

482
00:30:59,920 --> 00:31:01,480
not after the police made the arrests.

483
00:31:01,560 --> 00:31:02,960
He moved on, and each time he moved on

484
00:31:03,040 --> 00:31:04,960
he got further and further
away from where he started.

485
00:31:05,040 --> 00:31:06,760
But Crowley's too intelligent
to kill on his own doorstep,

486
00:31:06,840 --> 00:31:07,960
he would've gone some distance away.

487
00:31:08,040 --> 00:31:09,960
If we interpolate the data,

488
00:31:10,040 --> 00:31:13,120
working back from the first
murder which would be?

489
00:31:13,200 --> 00:31:14,760
Cotswolds, it's the middle of nowhere.

490
00:31:14,840 --> 00:31:16,680
Well it's never gonna be perfect.

491
00:31:16,760 --> 00:31:18,640
What are the nearest towns?

492
00:31:18,720 --> 00:31:20,840
Northleach, Coln St. Alwyns, Chedworth--

493
00:31:20,920 --> 00:31:22,320
Chedworth?

494
00:31:22,400 --> 00:31:23,640
[Millie] Yes, why?

495
00:31:23,720 --> 00:31:25,800
Dear Julie, what absolutely
super news about the job.

496
00:31:25,880 --> 00:31:27,560
- I shall be coming--
- The postcard.

497
00:31:27,640 --> 00:31:28,400
[Lucy] Yes.

498
00:31:28,480 --> 00:31:29,360
Coming to London next week

499
00:31:29,440 --> 00:31:30,600
and can't wait to hear all the details.

500
00:31:30,680 --> 00:31:31,520
I'm afraid the holiday cottage

501
00:31:31,600 --> 00:31:33,200
is in a frightful state after the storms

502
00:31:33,280 --> 00:31:34,840
but I've put buckets
round to catch the drips

503
00:31:34,920 --> 00:31:36,800
until something proper can
be done with, love, Dad.

504
00:31:36,880 --> 00:31:38,840
Chedworth postmark, 14th January, 1944.

505
00:31:38,920 --> 00:31:41,800
So the Oakwoods had a
cottage in the Cotswolds.

506
00:31:41,880 --> 00:31:43,200
And you think that was
Crowley's starting point?

507
00:31:43,280 --> 00:31:44,040
I'm sure it is.

508
00:31:44,120 --> 00:31:46,040
I just don't know how yet.

509
00:31:46,960 --> 00:31:48,600
We need to go through all
the data on Julie Oakwood.

510
00:31:48,680 --> 00:31:49,480
That's what I was doing

511
00:31:49,560 --> 00:31:50,720
until you came in and knocked it about

512
00:31:50,800 --> 00:31:51,560
- all over the place.
- But you weren't looking

513
00:31:51,640 --> 00:31:52,400
in the right places.

514
00:31:52,480 --> 00:31:54,200
[Jean] Stop it, the pair of you.

515
00:31:54,280 --> 00:31:56,720
Wait, there's something here.

516
00:31:56,800 --> 00:31:58,600
They sent Julie's effects
to a forwarding address

517
00:31:58,680 --> 00:32:00,760
in North London care of her father.

518
00:32:00,840 --> 00:32:02,440
We could call him and
ask about the cottage.

519
00:32:02,520 --> 00:32:04,240
His telephone number's right here.

520
00:32:07,840 --> 00:32:12,840
- [tense music]
- [dial whirring]

521
00:32:21,400 --> 00:32:23,200
[Man] Barnet 7631.

522
00:32:23,280 --> 00:32:25,240
[Susan] Mr. Oakwood?

523
00:32:25,320 --> 00:32:26,960
[Malcolm] I'm afraid not Susan.

524
00:32:28,360 --> 00:32:30,360
[tense music]

525
00:32:30,440 --> 00:32:33,840
Now listen carefully to
what I want you to do.

526
00:32:38,480 --> 00:32:39,240
Did you get him?

527
00:32:39,320 --> 00:32:40,920
[Susan] Yes, yes he was helpful.

528
00:32:42,440 --> 00:32:43,720
Are you going to see him?

529
00:32:43,800 --> 00:32:45,080
[Susan] Yes.

530
00:32:45,160 --> 00:32:46,560
[Lucy] He might remember Crowley.

531
00:32:46,640 --> 00:32:47,640
Mm.

532
00:32:48,760 --> 00:32:49,520
I'll come with you.

533
00:32:49,600 --> 00:32:50,600
No.

534
00:32:51,960 --> 00:32:52,960
He's quite old.

535
00:32:55,040 --> 00:32:57,200
It'd be a bit overwhelming, all of us.

536
00:32:58,160 --> 00:33:00,280
It'll be upsetting for him,
talking about his daughter.

537
00:33:00,360 --> 00:33:01,960
All right, if you're sure.

538
00:33:02,040 --> 00:33:03,040
I'm sure.

539
00:33:16,840 --> 00:33:19,360
[tense music]

540
00:33:26,720 --> 00:33:27,720
[Attendant] Tickets, please.

541
00:33:27,800 --> 00:33:31,160
[background chattering]

542
00:33:34,840 --> 00:33:37,360
[tense music]

543
00:34:19,400 --> 00:34:22,800
[moves into eerie music]

544
00:35:39,960 --> 00:35:42,640
[door creaking]

545
00:35:45,200 --> 00:35:46,200
You came.

546
00:35:47,560 --> 00:35:48,560
I had no choice.

547
00:35:51,200 --> 00:35:53,560
It's not that I want to
hurt your family but,

548
00:35:54,840 --> 00:35:56,720
I knew you would need an excuse.

549
00:35:58,320 --> 00:36:00,040
You do want to be here, don't you?

550
00:36:00,960 --> 00:36:02,160
Be honest with yourself.

551
00:36:03,680 --> 00:36:05,280
You've been bereft, like me.

552
00:36:06,720 --> 00:36:07,760
Ever since the war ended,

553
00:36:07,840 --> 00:36:10,960
you've been waiting
and hoping and longing.

554
00:36:11,040 --> 00:36:12,800
Believe me, I understand.

555
00:36:14,280 --> 00:36:15,840
But you didn't give in.

556
00:36:17,560 --> 00:36:19,800
And somehow you found me.

557
00:36:19,880 --> 00:36:21,560
No one else came close.

558
00:36:24,600 --> 00:36:26,960
I was waiting such a long
time for you to call.

559
00:36:29,400 --> 00:36:30,680
You were waiting for me?

560
00:36:32,600 --> 00:36:37,440
Dear Julie, what absolutely
super news about the job.

561
00:36:37,520 --> 00:36:39,120
I shall be coming down to London next week

562
00:36:39,200 --> 00:36:41,280
and can't wait to hear all the details.

563
00:36:43,240 --> 00:36:45,520
I couldn't really believe, you see?

564
00:36:47,560 --> 00:36:52,560
I thought, does her mind
really burn that brightly?

565
00:36:55,400 --> 00:36:57,520
So I arranged things.

566
00:36:58,600 --> 00:37:00,320
I set a little trap for you.

567
00:37:02,960 --> 00:37:04,720
Mr. Cavendish.

568
00:37:04,800 --> 00:37:07,200
All those complicated files.

569
00:37:08,840 --> 00:37:11,680
You are beautiful.

570
00:37:13,840 --> 00:37:15,960
Julie was beautiful.

571
00:37:18,800 --> 00:37:23,800
Now, by the horrors which
these realms surround,

572
00:37:24,280 --> 00:37:28,120
by the vast chaos of
these depths profound,

573
00:37:28,200 --> 00:37:30,880
by the sad silence which eternal reigns

574
00:37:30,960 --> 00:37:34,520
o'er all the waste of these
wide-stretching plains,

575
00:37:34,600 --> 00:37:39,440
let me again Eurydice receive.

576
00:37:39,520 --> 00:37:40,680
I'm not her.

577
00:37:43,400 --> 00:37:45,240
Put the gun down, please.

578
00:37:48,680 --> 00:37:50,920
You can't escape.

579
00:38:00,880 --> 00:38:05,880
And besides, you're not a killer, Susan.

580
00:38:07,720 --> 00:38:08,720
You know that.

581
00:38:11,520 --> 00:38:13,880
Put the gun down.

582
00:38:17,440 --> 00:38:20,160
[haunting music]

583
00:38:28,040 --> 00:38:29,040
Thank you.

584
00:38:31,520 --> 00:38:33,280
Would you go to the table, please?

585
00:38:34,440 --> 00:38:35,520
You'll leave them alone?

586
00:38:35,600 --> 00:38:37,440
Your family is safe.

587
00:38:37,520 --> 00:38:38,760
You have my word.

588
00:38:48,600 --> 00:38:49,600
There.

589
00:38:50,960 --> 00:38:51,960
By the lamp.

590
00:38:54,520 --> 00:38:55,920
Would you put it on, please?

591
00:38:59,520 --> 00:39:00,280
[Susan gasps]

592
00:39:00,360 --> 00:39:01,360
Carefully.

593
00:39:13,280 --> 00:39:14,280
Thank you.

594
00:39:23,160 --> 00:39:25,080
I thought I'd lost you forever.

595
00:39:25,160 --> 00:39:27,120
I am not Julie Oakwood.

596
00:39:29,880 --> 00:39:31,840
You know what we have to do.

597
00:39:31,920 --> 00:39:32,800
No.

598
00:39:32,880 --> 00:39:33,880
We don't.

599
00:39:34,880 --> 00:39:35,840
I know what happened to you.

600
00:39:35,920 --> 00:39:37,480
That wasn't your fault.

601
00:39:37,560 --> 00:39:38,920
It was horrible.

602
00:39:39,000 --> 00:39:40,800
- But you have a choice now.
- Please.

603
00:39:40,880 --> 00:39:42,360
Don't be mundane.

604
00:39:44,320 --> 00:39:45,960
Neither of us have a choice.

605
00:39:47,120 --> 00:39:49,320
Everyone else can carry on their

606
00:39:49,400 --> 00:39:53,080
hopeless, empty, boring existences.

607
00:39:54,120 --> 00:39:57,880
Your son, your daughter, your husband.

608
00:39:59,880 --> 00:40:03,480
But in here, it will
be just the two of us.

609
00:40:06,400 --> 00:40:07,160
Please.

610
00:40:07,240 --> 00:40:08,680
It won't hurt.

611
00:40:08,760 --> 00:40:10,680
Please, leave them alone.

612
00:40:10,760 --> 00:40:15,760
- It will be beautiful.
- [Susan gasps]

613
00:40:16,640 --> 00:40:19,000
[gunshot booming]

614
00:40:19,080 --> 00:40:21,760
[Susan shrieks]

615
00:40:42,520 --> 00:40:45,440
[gunshots booming]

616
00:40:51,280 --> 00:40:52,000
Pin, pin!

617
00:40:52,080 --> 00:40:53,200
Someone find the pin!

618
00:40:53,280 --> 00:40:54,720
Hair pin, Jean.

619
00:40:56,400 --> 00:40:57,400
Oh, my God.

620
00:41:06,240 --> 00:41:07,400
Susan, let go.

621
00:41:09,120 --> 00:41:10,400
It's all right.

622
00:41:19,720 --> 00:41:22,160
[Susan sobs]

623
00:41:25,840 --> 00:41:27,080
It's all right.

624
00:41:28,120 --> 00:41:29,440
It's all right.

625
00:41:29,520 --> 00:41:32,280
[birds chirping]

626
00:41:36,680 --> 00:41:41,760
- [background chattering]
- [engine rumbling]

627
00:41:41,840 --> 00:41:42,760
[Man] And that's
everything you can tell us?

628
00:41:42,840 --> 00:41:43,880
All right, boys.

629
00:41:43,960 --> 00:41:45,160
I'll deal with this now.

630
00:41:47,240 --> 00:41:48,240
May I?

631
00:41:52,240 --> 00:41:53,400
I should have listened.

632
00:42:01,640 --> 00:42:02,920
Why didn't you tell me?

633
00:42:06,840 --> 00:42:07,600
I went to get a fag

634
00:42:07,680 --> 00:42:09,160
and when I saw the gun was missing.

635
00:42:12,080 --> 00:42:14,080
You should have told me.

636
00:42:21,280 --> 00:42:22,800
There, all done.

637
00:42:25,040 --> 00:42:26,600
What do I do now?

638
00:42:27,920 --> 00:42:29,000
What do I say?

639
00:42:32,520 --> 00:42:33,840
If you try to explain,

640
00:42:36,480 --> 00:42:39,320
you'll end up telling him about Bletchley.

641
00:42:39,400 --> 00:42:40,400
Everything.

642
00:42:41,800 --> 00:42:45,640
[thoughtful orchestral music]

643
00:42:56,680 --> 00:42:58,800
[Timothy] And I slay the dragon!

644
00:42:58,880 --> 00:43:01,880
[children laughing]

645
00:43:24,200 --> 00:43:25,440
Hello, Mummy.

646
00:43:27,800 --> 00:43:31,640
[thoughtful orchestral music]

647
00:43:39,840 --> 00:43:42,840
[suspenseful music]